This LUT is designed for S-Log3 to Rec.709 conversion while delivering a nostalgic, pastel-like look that remains flexible for further grading. It accelerates your color workflow by providing a ready-to-deliver look right out of the box, while still giving you room to fine-tune specific areas of your image. Overexposed footage? The LUT’s gentle highlight rolloff, especially noticeable when using HDR Color Wheels in DaVinci Resolve, helps preserve detail and maintain pleasing contrast.
See how quickly the Nostalgic Hybrid LUT can work for you: https://youtu.be/H029iO7ZnU0
This Hybrid LUT is only built for S-Log3 footage. It will not work for footage shot on the Standard Profile or S-Cinetone.
33-point .cube LUT for on-set monitoring (compatible with external monitors and supported Sony cameras shooting in S-Log3)
65-point .cube LUT for color grading, providing smoother tonal transitions and reduced artifacts such as banding, particularly with 10-bit workflows.
PDF guide with step-by-step instructions for applying the LUT in major NLEs (DaVinci Resolve, Premiere Pro, Final Cut Pro, etc.)
This hybrid LUT was developed in DaVinci Resolve Studio using the DaVinci Wide Gamut/Intermediate color space with an output color space of Rec.709 and Gamma 2.4.
This LUT is designed for S-Log3 to Rec.709 conversion while delivering a nostalgic, pastel-like look that remains flexible for further grading. It accelerates your color workflow by providing a ready-to-deliver look right out of the box, while still giving you room to fine-tune specific areas of your image. Overexposed footage? The LUT’s gentle highlight rolloff, especially noticeable when using HDR Color Wheels in DaVinci Resolve, helps preserve detail and maintain pleasing contrast.
See how quickly the Nostalgic Hybrid LUT can work for you: https://youtu.be/H029iO7ZnU0
This Hybrid LUT is only built for S-Log3 footage. It will not work for footage shot on the Standard Profile or S-Cinetone.
33-point .cube LUT for on-set monitoring (compatible with external monitors and supported Sony cameras shooting in S-Log3)
65-point .cube LUT for color grading, providing smoother tonal transitions and reduced artifacts such as banding, particularly with 10-bit workflows.
PDF guide with step-by-step instructions for applying the LUT in major NLEs (DaVinci Resolve, Premiere Pro, Final Cut Pro, etc.)
This hybrid LUT was developed in DaVinci Resolve Studio using the DaVinci Wide Gamut/Intermediate color space with an output color space of Rec.709 and Gamma 2.4.